Assemblages of Grief and Hope: a year into the Pandemic for the Festive Arts

When Ireland first went into complete lockdown in March 2020, little did we know that we were facing a whole year of restrictions.  It is quite sobering to look back at a year of the IHA’s Covid-19 blogs, starting with Ida Milne’s 25 February 2020 entry on pandemics who, in invoking Rosenberg, wondered if “a heedless society reverted to its accustomed ways of doing things as soon as the event passed?”.  We are not, of course, there yet. Colm Kelly’s midyear reflection on the new ‘normal’ for musicians broadcasting from their houses spoke to the considerable shift in music making in order to simply survive. Thriving did not come into it. Towards the end of the year, Marrion McGarry’s post addressed the importance of Halloween rituals in the past but it was possible to think about it in current terms in the absence of newer trick or treat practices and the lost ability to simply go out with family and cross the thresholds of other houses in the community.

Here we are in 2021, with more knowledge, considerable tiredness, and no clear end in sight. So many industries related to the Arts have been hit very hard and artists continue to struggle to make ends meet as their capacity to create and share their creative work is severely restricted if not altogether gone in many cases. The turn to online events has not only sustained many artists, but surely most of us as our worlds shrink and we seek refuge in the Arts for comfort and inspiration.

In my own current research on music festivals, a number of large-scale events that I had hoped to study were cancelled for the remainder of the calendar year of 2020.  Some festivals opted to offer hybrid events or to go exclusively online in adapted form. The organisers of the popular summer solstice festival, Body & Soul, a music and creative arts event held on a 17th-century Ballinlough estate an hour outside of Dublin, chose to enter into a fallow period, staying out of sight, and now facing similar conditions for 2021.

On Feb 13th, 2021, Body and Soul released an 8-minute film on its website. "Eiru's Threshold" was a specially commissioned piece supported by Irish government emergency funds for the Arts. Featuring music, choreography, poetry and costuming, the work deals with the themes of dying and renewal; the music symbolically and sonically drawing from Henry Purcell's celebrated heart-wrenching 17th century aria, “'Dido's Lament” with an overarching narrative inspired by Irish and Celtic spirituality.  A full list of credits for the piece is available here.

 

College Green in Lockdown, courtesy of Wikimedia Commons https://commons.wikimedia.org/w/index.php?search=College+Green+in+Lockdown&title=Special:MediaSearch&go=Go&type=image
College Green in Lockdown, courtesy of Wikimedia Commons https://commons.wikimedia.org/w/index.php?search=College+Green+in+Lockdown&title=Special:MediaSearch&go=Go&type=image
Lockdown image courtesy of Dr Aileen Dillane.
Lockdown image courtesy of Dr Aileen Dillane.
Dr. Aileen Dillane

Aileen Dillane is Senior Lecturer in Music at the Irish World Academy, University of Limerick. She co-founded and co-directs the interdisciplinary research clusters Popular Music, Popular Culture and Power, Discourse & Society at UL, and co-edits their associated book series, Popular Musics Matter: Social, Cultural and Political Interventions and Discourse, Power and Society, both of which are published with Rowman and Littlefield. She is the Irish PI on an EU-Funded HERA project on European Music Festivals, Public Spaces and Cultural Diversity (2019-2022).

Published: 23 Feb 2021  Categories: Covid-19 and the Humanities, Ethnomusicology, Music