Reading the Michael Collins Diaries

In November 2021, the family of the late Liam Collins, a nephew of Michael Collins, loaned a set of his uncle’s diaries to the National Archives of Ireland (NAI). There are five, dating from the years 1918 to 1922. Immediately, Zoë Reid at the NAI set about the task of conserving and digitising the diaries with the purpose of making digital versions available to the public at Bishop Street in Dublin and at the Michael Collins House Museum in Clonakilty. Meanwhile, as authors of a 2018 biographical study of Collins, we responded to an invitation from Orlaith McBride, director of the archives, to produce a book that would introduce the diaries. The result is Days in the life: reading the Michael Collins diaries, 1918-1922, published by the NAI in conjunction with the Royal Irish Academy.

 The first three (1918-1920) are working pocket diaries. In the case of 1918, for example, T. J. & J. Smith Ltd of Charterhouse Square, London produced it. Smith was a leading manufacturer and this one belonged to a range the company promoted as ‘Automatic Self-Registering’ diaries. The defining gimmick was a steel spring which held his pencil in place, allowing it to double-job as a bookmark of wood and lead. This ensured, as the ads explained, ‘The page last written upon immediately found on opening the Book, with Pencil ready to hand.’[1] The pocket diary market had been growing rapidly since the 1890s, encouraging companies like T. J. & J. Smith to produce an ever greater variety, designed and branded to meet a range of needs, an array of self-images.[2] This one said clever, business-like, practical; ideal for the busy office manager and revolutionary.

It was small, 12cm long, 7.5cm wide and less than a centimetre deep: snug in his hand and safe in his pocket. Each week laid out across facing pages, Sunday to Saturday in bold green print and in separate boxes, framed in red and lined in grey. In 1919 he switched to a Collins’ Gentleman’s Diary No.174. It afforded him a page a day and, consequently, was slightly thicker but the purpose did not change.

These diaries were functional and, in that sense only, essential. They did not give his life meaning. He did not interrogate himself nor did he explain himself to anyone else, instead these pages helped him to get to meetings on time, most of the time. Do not imagine careful compositions, products of pause and contemplation, but hurried notes, necessary lists, addresses, aides-mémoire, donations, calculations, things to do, things not done, accumulations, asides and abbreviations.

Indeed, there are very few entries at all for the final months of 1920 and the diary for 1921 begins only in October. Perhaps, he had come to consider carrying a pocket diary as simply too dangerous then. On Wednesday 12 October, during the Treaty negotiations in London he resumed. From that day till the end he was at it again; noting, listing, recording, creating what were daily to-do lists on the somewhat larger pages of a notebook which he transformed into a diary by writing the day and date at the top.

Reading the diaries has an interesting effect. Some years pass quicker than others. The Irish revolution rushes: the Rising, election, Dáil, war, truce, Treaty, split, civil war, end. In most tellings of the Irish revolution the work of months, years contract into a sequence of dramatic episodes, and hindsight brings a momentum many who lived through 1916-23 might never have recognised. Revolutions make good stories, and Michael Collins above all kept the pages turning fast.

But Collins’s five diaries stop this momentum in its tracks. His days, measured out in hours, in half-hours, in meetings and committees and so many letters sent, are each one long and full and followed by another just as long and just as full again. The working week of Monday to Saturday, borrowed many of his Sundays in 1918 and 1919; by 1921 Collins stole back only the odd day for himself.